In like with you.

More liked posts

Tag Results

13 posts tagged lists

Contronyms are special cases of homographs (two words with the same spelling). Some examples:

  • anabasis - military advance, military retreat
  • apology - admission of fault in what you think, say, or do; formal defense of what you think, say, or do
  • aught - all, nothing
  • bolt - secure, run away
  • by - multiplication (e.g., a three by five matrix), division (e.g., dividing eight by four)
  • chuffed - pleased, annoyed
  • cleave - separate, adhere
  • clip - fasten, detach
  • consult - ask for advice, give advice
  • copemate - partner, antagonist
  • custom - usual, special
  • deceptively smart - smarter than one appears, dumber than one appears
  • dike - wall, ditch
  • discursive - proceeding coherently from topic to topic, moving aimlessly from topic to topic
  • dollop - a large amount, a small amount
  • dust - add fine particles, remove fine particles
  • enjoin - prescribe, prohibit
  • fast - quick, unmoving
  • first degree - most severe (e.g., murder), least severe (e.g., burn)
  • fix - restore, castrate
  • flog - criticize harshly, promote aggressively
  • garnish - enhance (e.g., food), curtail (e.g., wages)
  • give out - produce, stop production
  • grade - incline, level
  • handicap - advantage, disadvantage
  • help - assist, prevent (e.g., “I can’t help it if…”)
  • left - remaining, departed from
  • liege - sovereign lord, loyal subject
  • mean - average, excellent (e.g., “plays a mean game”)
  • off - off, on (e.g., “the alarm went off”)
  • out - visible (e.g., stars), invisible (e.g., lights)
  • out of - outside, inside (e.g., “work out of one’s home”)
  • oversight - error, care
  • pitted - with the pit in, with the pit removed
  • put out - extinguish, generate (e.g., something putting out light)
  • quiddity - essence, trifling point
  • quite - rather, completely
  • ravel - tangle, disentangle
  • rent - buy use of, sell use of
  • rinky-dink - insignificant, one who frequents RinkWorks
  • sanction - approve, boycott
  • sanguine - hopeful, murderous (obsolete synonym for “sanguinary”)
  • screen - show, hide
  • seed - add seeds (e.g., “to seed a field”), remove seeds (e.g., “to seed a tomato”)
  • skinned - with the skin on, with the skin removed
  • strike - hit, miss (in baseball)
  • table - propose (in the United Kingdom), set aside (in the United States)
  • transparent - invisible, obvious
  • unbending - rigid, relaxing
  • variety - one type (e.g., “this variety”), many types (e.g., “a variety”)
  • wear - endure through use, decay through use
  • weather - withstand, wear away
  • wind up - end, start up (e.g., a watch)
  • with - alongside, against

via tumbledore

Simple Rules for Life in London

On June 9th of 1908, as his youngest daughter, 12-year-old Elsie, prepared for a trip to London, author Rudyard Kipling wrote her a letter in which the following list of “rules for Life in London” was included.

Dear Bird,

[…]

I send you a few simple rules for Life in London.
Wash early and often with soap and hot water.
Do not roll on the grass of the parks. It will come off black on your dress.
Never eat penny buns, oysters, periwinkles or peppermints on the top of a bus. It annoys the passengers.
Be kind to policemen. You never know when you may be taken up.
Never stop a motor bus with your foot. It is not a croquet ball.
Do not attempt to take pictures off the wall of the National Gallery or to remove cases of butterflies from the National History Museum. You will be noticed if you do.
Avoid late hours, pickled salmon, public meetings, crowded crossings, gutters, water-carts and over-eating.

Ever your

Daddo

Six Tips on Writing from John Steinbeck

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

via nevver

Genre lit in China: The commercial warfare novel and more |

Brilliant article about Chinese niche literature in the 6 February New Yorker.

Certain professions have their own subgenres.  The “commercial warfare novel” pits sales teams against each other in mortal combat over a large order. The “financial novel” wrings drama from stock prices.  The “novel of officialdom,” which dates to imperial times, trades in the secrets and scandals of the bureaucracy.

Like their protagonists, these books strive to be efficient and useful.  They include rules for getting ahead in the workplace:

Socialize with rich people.  They know more than the poor.

Avoid unpromising work assignments by feigning illness.  Women should fake pregnancy when necessary.

If your boss makes a pass at you, smile and flirt back.

Hire subordinates who are barely adequate or they’ll make you look bad.

When bribing an official, have your business partner deliver the money so your hands stay clean.

full article

[image: Erni Cabat]

In late-1979, New York Times columnist William Safire compiled a list of “Fumblerules of Grammar” — rules of writing, all of which are humorously self-contradictory — and published them in his popular column, “On Language.”

  1. Remember to never split an infinitive.
  2. A preposition is something never to end a sentence with.
  3. The passive voice should never be used.
  4. Avoid run-on sentences they are hard to read.
  5. Don’t use no double negatives.
  6. Use the semicolon properly, always use it where it is appropriate; and never where it isn’t.
  7. Reserve the apostrophe for it’s proper use and omit it when its not needed.
  8. Do not put statements in the negative form.
  9. Verbs has to agree with their subjects.
  10. No sentence fragments.
  11. Proofread carefully to see if you words out.
  12. Avoid commas, that are not necessary.
  13. If you reread your work, you can find on rereading a great deal of repetition can be avoided by rereading and editing.
  14. A writer must not shift your point of view.
  15. Eschew dialect, irregardless.
  16. And don’t start a sentence with a conjunction.
  17. Don’t overuse exclamation marks!!!
  18. Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.
  19. Hyphenate between sy-llables and avoid un-necessary hyphens.
  20. Write all adverbial forms correct.
  21. Don’t use contractions in formal writing.
  22. Writing carefully, dangling participles must be avoided.
  23. It is incumbent on us to avoid archaisms.
  24. If any word is improper at the end of a sentence, a linking verb is.
  25. Steer clear of incorrect forms of verbs that have snuck in the language.
  26. Take the bull by the hand and avoid mixing metaphors.
  27. Avoid trendy locutions that sound flaky.
  28. Never, ever use repetitive redundancies.
  29. Everyone should be careful to use a singular pronoun with singular nouns in their writing.
  30. If I’ve told you once, I’ve told you a thousand times, resist hyperbole.
  31. Also, avoid awkward or affected alliteration.
  32. Don’t string too many prepositional phrases together unless you are walking through the valley of the shadow of death.
  33. Always pick on the correct idiom.
  34. “Avoid overuse of ‘quotation “marks.”’”
  35. The adverb always follows the verb.
  36. Last but not least, avoid cliches like the plague; They’re old hat; seek viable alternatives.
  37. Never use a long word when a diminutive one will do.
  38. Employ the vernacular.
  39. Eschew ampersands & abbreviations, etc.
  40. Parenthetical remarks (however relevant) are unnecessary.
  41. Contractions aren’t necessary.
  42. Foreign words and phrases are not apropos.
  43. One should never generalize.
  44. Eliminate quotations. As Ralph Waldo Emerson said, “I hate quotations. Tell me what you know.”
  45. Comparisons are as bad as cliches.
  46. Don’t be redundant; don’t use more words than necessary; it’s highly superfluous.
  47. Be more or less specific.
  48. Understatement is always best.
  49. One-word sentences? Eliminate.
  50. Analogies in writing are like feathers on a snake.
  51. Go around the barn at high noon to avoid colloquialisms.
  52. Who needs rhetorical questions?
  53. Exaggeration is a billion times worse than understatement.
  54. capitalize every sentence and remember always end it with a point

Loading posts...